SHIFT at MOCA

NiteTalk: Juan Carlos Zaldivar Strikes an Optic Nerve at MOCA

His Jose Marti and I mixed seance and striptease to celebrate a real Cubano hero. His 90 Miles spanned the distance between an exile’s heart and his home. And in Soldier’s Pay he teamed with David O. Russell and Tricia Regan to uncover the effect the Iraq War had on all those involved. He’s a Sundance Fellow, an Emmy nominee, and one of the most vividly astute visualists now operating in Miami. He is video artist/filmmaker Juan Carlos Zaldivar, and this Friday his SHIFT finds him paired with sculptor Anja Marais and among the fine ffinalists in MOCA’s Optic Nerve 14.

What’s the big idea behind SHIFT? SHIFT is a five minute featuring Anja Marais short made from over 10,000 photos taken over a period of 1½ years. Everything you see is happening in front of a time-lapse camera, one frame at a time. Every five second shot took an average of 4-5 hours to shoot and many more to prep. The film follows the life of a character who is born from a tree and whose face is stolen by a wild dog. After wandering the landscape reflecting its environment, looking for home, our character’s vision returns in an unsuspecting turn of events.

How’d you and Anja initially come to connect? Anja and I met at a Creative Capital professional artist development workshop. We immediately felt an affinity for each other’s work. I pictured motion whenever I looked at one of her pieces and so I asked her if she ever thought about animating them. She said she would love to but she had never done it, so we began to talk. What I loved about collaborating with Anja was that she did not say, “I have this film idea…”; instead we read each other’s artist statements and began to highlight concepts and ideas that we had in common and the story grew from those conversations.

Is this the first time you two collaborated? Yes, this is the first project we do together.

Are there plans for another? No solid plans yet, but we would totally work together again.

Juan Carlos Zaldivar’s Shift screens Friday September 14, 7pm and 9pm at MOCA’s Optic Nerve 14. For more information log on here.

You can read the full article here

 

By |2017-07-11T00:08:18-04:00October 4th, 2012|

Color, you foe.

Notebook:Miami:2012

Color seduces, color delights but most importantly color lies. Behind too many fuchsias are the lack of form, under too many cobalts structural problems and with a blinding lake of streaks and swipes the cover-up of no skill.

Black and white are the guards at the temple gates. They will tolerate no thieves, no liars and no con-man to pass. Through these gates walked men like Goya, Rothko, Kentridge, the Zenga painters and many a master. Only the man who has conquered black and white also has conquered color.

By |2017-05-02T12:59:55-04:00September 15th, 2012|

Persimmons in the morning

Persimmons
dripped from
dry branches

Soft orange
flesh embraced
the hidden pit

Wax skin
glistened
in sun

Do you
remember
me silently
walking past

While your
round body
awaited
my hand

By |2017-05-02T12:59:55-04:00August 18th, 2012|

The Body

Notebook Enry: 2007 Key West

What was jointed is disjointed. If only I could do more. If only I could do better. If only I could go further.

If the goddess can cut her throat and feed me her blood, would that help? How is it that we can be so full of desire but so slow to gather dry wood to stoke the fire. And when the fire dies we blame everyone from the shoemaker to the gatekeeper.

We are born smooth and unblemished, hydrated like a melon straining at the edges. Somehow we manage over the years to suck our own juices and, like a toilet with a leaky tank that does not refill, we slowly evaporate. All that is left is the bitter cellulose heart.

I have stoked the furnace of my heart, my spirit, my mind; yet the body splays itself like a concubine over soft pillows with a vulgar, I-want-it-now, gluttonous reign. My opponents are not others, him or you but this treacherous body. If I can split in two, it is “me” against “you” in a boxing match. Who will win?

There is nothing romantic about being an artist. I know about artists who await the “Voice of God” to transcend them into genius. Poor sods. You are a skin encasing meat that generates chemicals for emotions, hormones for behaviours, neurons for decisions. You are, first and last, the body. Better yet, you are your own illusion wrapped in epiderm.

The body is a formidable opponent.

By |2017-07-12T13:03:43-04:00June 27th, 2012|

Inugami

Notebook Entry: 2009 Japan

I loved my daily early morning walks past rice fields, streams, altars and temples. One day I found myself in a new and unknown area and came across an unassuming temple standing on a hill, the path leading to it a series of ascending steep steps lined with multiple red Torii gates.This small temple–whose name was written in Kanji, which meant I could not point it out again–was more unkempt than some of the other majestic temples that were laced through the streets and culture of Japan. The coins at the altar were the only evidence of its local worshipers. The small building was encircled by old trees, a precipice of an ancient forest. The birds were singing, yet all was silent.

As I walked amongst the trees time felt suspended. Colossal and august, these trees had been dictaphones of time. They had a palpable internal rhythm that reached out through their branches and leaves. The fragrant of earth and bark was overwhelming. Within this eternal pause I disappeared. I could simultaneously sense and feel each star and planet, each plant root system burrowing into the crust of the earth, each heartbeat, and the spin of each cell in my body. All boundaries disappeared, an ocean of everything and nothing. Life and death merged into an omnipresent fragrance. I will never know how long I was caught in the splice of time, I only knew that I did not want to leave or exit this moment.

For the first time in my life I considered death, not because I wanted to give up life but because I wanted to give into it. Her beauty was so overwhelming and exquisite that I never wanted to be parted from her again. I wanted to join her. Partially my sense of place returned and I feverishly started to seek anything I could tie around my neck–a rope, a vine, a piece of fabric. I needed to hang from these majestic branches. In my death these trees would become my infinite friends. I scratched like a squirrel between the leaves and seed pods. I knew I could find a way, I just kept rummaging through soil and roots, but she was already pulling away; the ocean slowly froze over.

The last of the fragrance dissipated with the bark of a dog. In front of me a long lost friend emerged from the understory. His eyes a deep amber, his fur caked with dirt. When his dog nose touched my face I could smell his breath. Hints of fresh cut grass and rotten leaves. He whispered something in my ear in such a deep low pitch that only my spirit could pick it up. He disappeared just as fast as he came into being. Abrupt faraway barking slowly brought me back to where I was. Now just an ordinary forest on an ordinary hill but I left this place not in an ordinary state. In me was a mixture of the sweetness of life and the translucent words of my childhood guardian.

By |2017-07-12T13:03:43-04:00June 27th, 2012|
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