Inter | Sectionality at Corcoran [ Group Exhibition]

Inter | Sectionality Corcoran Anja Marais

Inter | Sectionality Corcoran – Anja Marais

Inter | Sectionality at Corcoran : Diaspora Art from the Creole City

My work was selected as one of the 25 artists that are representing Miami to exhibit in Washington DC from next month. My sculpture series Once Upon a Time, When We Exhaled The Sky will be on display. This is a series of seven found object cairns treated with ceremonial lime. If you are in the DC area stop by in the next four months to view the exhibition.

Inter | Sectionality is a bold, multiregional, multidisciplinary exhibition, curatorial collaboration, and exploration of the emergence of the “Creole City” as a local, regional and global phenomenon. Internationally recognized curators Sanjit Sethi, former director of the Corcoran School of the Arts and Design, and Rosie Gordon-Wallace, founder, president and curator of DVCAI (Diaspora Vibe Cultural Arts Incubator) have designed this collaboration to provide a lens through which communities and community leaders internationally can begin to better understand themselves, their diversities and their unlimited possibilities.

Highlighting the work of 25 Miami-affiliated visual artists, along with two guest artists, the exhibit is grouped around themes that encompass diaspora and Creole City life stories, memory, politics, myth, religion, and culture. Special performances and programs will be presented throughout the run, which will be from Nov. 14, 2019, through March 20, 2020.

Inter | Sectionality will be presented in our nation’s capital at a time when diaspora artists and voices are challenging social justice, celebrating identities, and reactivating and bridging communities through contemporary art and scholarship. The complexities and diversities represented by this exhibit are emergent and, in many cases, ascendant across the world.

The exhibition is free and on view Nov. 14, 2019 – Mar. 20, 2020; Tuesday – Friday 10 a.m. – 6 p.m. and weekends from 1 – 6 p.m

[ rsvp ]


Inter | Sectionality Corcoran

Inter | Sectionality Corcoran – Diaspora art from the Creole City

By |2019-10-25T08:32:55-04:00October 25th, 2019|

Florida Prize in Contemporary Art 2019 Finalists

2019 ARTISTS ANNOUNCED: 
THE ORLANDO MUSEUM OF ART 
FLORIDA PRIZE IN CONTEMPORARY ART ORLANDO, April 9th, 2019 – The Orlando Museum of Art is thrilled to announce the artists for the 2019 Florida Prize in Contemporary Art: Robert Aiosa, Joe Fig, Lilian Garcia-Roig, Lola Gómez, Amer Kobaslija, Pepe Mar, Anja Marais, Edison Peñafiel, Vickie Pierre, and Sri Prabha. 

Each artist featured in this exhibition will be represented by a recent or site-specific body of work that provides an in-depth view of their practice. One artist will be selected to receive the $20,000 award which has been made possible by the generous support of Gail and Michael Winn. “The Florida Prize in Contemporary Art is an opportunity to discover artists who are expressing ideas relevant to our time in new and visually exciting ways,” said Glen Gentele, Director & CEO.

Organized and curated by the Orlando Museum of Art (OMA), the Florida Prize exhibition brings new recognition to the state’s most compelling and progressive artists. Artists range from emerging to mid-career, and each is engaged in exploring significant issues of contemporary art and society in original and visually exciting ways. In all cases, they are artists whose achievements are marked by a record of notable exhibitions and awards. “Now in its sixth year, the Florida Prize in Contemporary Art has consistently demonstrated the depth of important work being done by artists throughout the State,” said Hansen Mulford, Senior Curator at the Orlando Museum of Art.

The exhibition presents artists working in a wide variety of media including painting, sculpture, photography and immersive installations with each advancing their practice in innovative directions. Issues addressed by these artists are diverse, exploring such topics as the architecture of home, Florida’s threatened environment, the overdose epidemic in Central Florida, the refugee’s journey, the artist’s studio as a portrait of the artist and the technology of transcendental experience. “Woven through this year’s show is a connecting thread that seems to touch upon the notion of humanity. Some artists open a dialogue about latent tensions or actual clashes, and others provide an escape” says Associate Curator, Coralie Claeysen-Gleyzon.  

The exhibition Opening Preview Party will be on May 31st, 2019. The VIP hour is 6-7pm and General Admission is 7-10pm. The ticketed event will feature a sampling of the culinary artistry of Orlando’s most sensational restaurants and caterers sponsoring the event, each offering dishes inspired by the 10 Florida Prize artists. Guests can also enjoy beer, wine and specialty cocktails from our beverage sponsors, mingle with the artists, listen to great live music, explore the exhibition and create the best social/cultural mix to be experienced in the state.

The artist selected to receive the Florida Prize will be announced at the opening night party. Guests will have the opportunity to cast a “People’s Choice” vote for their favorite artist which is sponsored by Corkcicle. For more information on the Florida Prize in Contemporary Art, the artists, our sponsors and the Opening Preview Party, please visit www.omart.org. Funds from the event will support the Florida Prize exhibition.

By |2019-06-25T21:11:25-04:00April 10th, 2019|

RCS: 51-75 Exhibit

Opening Reception:
February 28, 2019
7-10pm

The Annex
Gesamtkunstwerk Building
2930 NW 7th Avenue
Miami, FL 33127
(Map)

Unforeseen Snow, 2016, Video installation and found objects, 51in x 26in x 30in

Unforeseen Snow, 2016, Video installation and found objects, 51in x 26in x 30in

 

You can listen to my interview with Baba Collective and the rest of the series:


Spinello Projects and Fordistas are proud to present the second installment of The Annex, an experimental, non-commercial art space dedicated to offering a safe space for promising up-and-coming Miami-based curators and artists. Focusing on underrepresented and underserved communities, The Annex provides a platform and resources to realize thought-provoking experiences through art. RCS 51-75 Exhibit is a multimedia group show featuring participants of Rocking Chair Sessions podcasts 51-75, curated by BABA Collective. The Exhibition runs through March 29, 2019.

Established in 2017, BABA Collective, comprised of Elysa D. Batista and Maria Theresa Barbist, have engaged in dialog within our Miami art community; inquiring artists and cultural producers about their personal narratives and creative processes. The conversations have been archived as online podcasts – RCS: Rocking Chair Sessions. Joining the global burgeoning club of audio interviews, BABA Collective is keeping it local and grassroots by interviewing peers only from South Florida inside the modest-sized Studio #14 at the Bakehouse Art Complex with the aim to build bridges via South Florida’s oral history and multifaceted creative practices

This show is a celebration of both visual artwork and audio collected, presenting a tapestry of works by 25 artists and cultural producers focusing on histories:

– Histories of immigration
– Histories of the body
– Histories of material
– Histories of our environment
– Histories of South Florida

And embodies how those histories are then processed and used as the impetus into creative outlets such as photography, performance, printmaking, painting, video, sculpture, and curation. The archives of sessions in themselves becoming a part of a living oral history. Not one history is the same, but they all collide and coexist here… in present South Florida, whose surface, environment and individuals have also been changing the past couple of years. How do you capture history? It all begins in the now… with the telling of a story. This exhibit opens up to the community to see, hear, and witness a part of that history.

Participating Artists: Alette Simmons-Jimenez, Judith Berk King, Roxana Barba, David Rohn, Sri Prabha, Amalia Caputo, Anja Marais, Gianna Riccardi, Jacqueline Gopie, Morel Doucet, Scott Brennan, Ana Mendez, Brookhart Jonquil, Kerry McLaney, Kiki Valdes, Jill Deupi, Maria Lino, Sarah Michelle Rupert, Sterling Rook, Yuneikys Villalonga, Regina Jestrow, Sandra Ramos, Pedro Wazzan, Tamara Despujols, Mike Rivamonte

RCS is supported by the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners.

 

By |2019-02-18T09:18:14-05:00February 18th, 2019|

Mis.Placed [exhibition]

curated by Janet Batet

Opening Reception 11/29/2018 6 – 9pm

Art Basel Breakfast 12/07/2018 8 – 11am

COLLECTIVE 62 • 827 NW 62nd Street, Miami, FL, 33150

Anja Marais / www.anjamarais.com / @anjamarais

Marina Font / www.marinafont.com / @marinafontstudio

Carola Bravo / www.carolabravo.com / @carolabravoart

Nina Surel / www.ninasurel.com / @ninasurel

Johanna Boccardo / www.johannaboccardo.com / @jojapiposa

Regina José Galindo / www.prometeogallery.com / @prometeogallery

Press Contact and general inquiries
info@thecollective62.com
305 586 0252


MIS.PLACED: The fallacy of being.

The fallacy of misplaced concreteness proposed by Alfred North Whitehead describes the process through which concrete reality is supplanted by an abstraction. Most of the time, this act of reification implies misleading preconceptions around our existence. The recurrence to binary excluding dichotomies in global society has been a systemic attempt to distort and numb social sensitivity and deriving from this practice, we have been witnessing the careful replacement of terminologies in order to justify our detachment from others.

The systematic replacement of the term “refugee” by “immigrant” accompanied by adjectivizations such as “illegal” and “undocumented” in politic discourses and mass media has the intended aim of dissociating our civic and moral obligation toward this growing group of displaced individuals in global society. Under these circumstances, we are witnessing a new invisible mass of displaced people that become misplaced.

Don’t be wrong, the difference is substantial. Something misplaced is moved away, out of its natural emplacement or boundaries but not excluded or forgotten. Misplaced gathers the proposals of six female contemporary artists who delve into the fallacy of displacement in contemporary society. Assuming their own bodies as the ultimate territory, each of them establishes a personal fable that procures the restoration of the dignity of the misplaced being.

Misplaced is hosted by Collective 62, an independent art space devoted to creation outside of the traditional circuits of art. Located in Liberty City, Collective 62 also seeks to reverse the growing phenomenon of gentrification (another exponent of misplacement at the urban scale) through regeneration that derived from creation and community-based workshops.

Janet Batet

By |2018-12-05T11:57:05-05:00November 28th, 2018|

Unnatural Nature [exhibition]

Curated by Jessica Acosta-Rubio
at Pinecrest Gardens

Still image from the video “Fruit Forager”

An Art Immersion Experience of video art, design and music!

Opening Reception
Saturday, November 10/2018
6:00 p.m. – 9:00 p.m.

Featuring
Video-Artists
Anja Marais/Amalia Caputo/Antonia Wright/Carola Bravo
Juan Carlos Zaldivar/Maritza Caneca
Artists and Designers
Fabio Designs/Flora and Form/Nina Surel/Rita Motta
Studio Mass/Paloma Teppa/Inverssa/Rafa Muci/Alex De Yavorsky/Artesanogroup
Musician
Julio Prato

With the Support of
INVERSSA / EPSON

Pinecrest Gardens
11000 Red Road, Pinecrest Fl 33156
Phone: 305.988.5089

On view from November 10/2018 through January 6/2019
Open Daily: 8:30 a.m. to 5:00 p.m.

www.hartvestproject.com

By |2019-06-24T21:53:43-04:00November 8th, 2018|
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