Museum of Contemporary Art North Miami write-ups for “Intersectionality”

Anja Marais Art Anja Marais Art

“On Their Shoulders” 2016, Photomontage Mixed Media and Found Objects. 72 in x 48 in x 28 in

My  work got mentioned in the press for the “Intersectionality” exhibition curated by Richard Haden:

By Phillip Valys from SouthFlorida.com

….The piece calls to mind old-world colonialism and immigration, which is echoed in Anja Marais’ installation “The Crossing,” where nine pairs of adult and children’s dress shoes filled with dirt sit next to an out-of-focus photograph of a muddy cornfield.

Although Marais emigrated from South Africa during apartheid, the shoes evoke the current Syrian refugee crisis, Haden says.

“When migrants are being forced out of their country to escape oppression, they have to pack your belongings hastily. You leave with the shoes on your feet,” Haden says. “It’s a dehumanizing process, these journeys from one world to another.”

Read full article [HERE].


By Anne Tschida for Miami Herald

Two installations leave a searing impression. One is a large photograph of a fallow field; in front of it are shoes — some of them lovely dress shoes — filled with dirt. Artist Anja Marais, an immigrant from South Africa, created the work in reference to the plight of Syrian refugees, who have fled with the shoes they wore on whatever day they ran, tripping through muddy fields in high heels. Adjacent is a sculpture of tattered furniture bundled together, left behind as the journey became more treacherous. Migrants are in a perpetual process of losing and reforming identities.

Read full article [HERE].
The exhibition is open until August 14th 2016

 

By |2017-07-11T00:09:17-04:00August 5th, 2016|

Famished Road at the Deering Estate

Famished Road at the Deering Estate by Anja Marais

The Famished Road ‘  is an installation created for the exhibition “Intersections” that will open in  Miami at the Deering Estate on

SATURDAY, APRIL 16th, 3:30 – 10:00 pm

The Famished Road‘ Speaks of the displaced and the current refugee crisis of our world. Those that live in a state of makeshift between borders seeking shelter not just from the elements but from the shadows of humanity.

Mixed Media, found objects and Photo montage – 2016 – 8′ x  15′ x 15′

Exhibition ends June 6th, 2016

Famished Road at the Deering Estate by Anja Marais

By |2017-07-11T00:08:17-04:00April 13th, 2016|

Stages of the Denizen

February 3rd – March 1st
Artist Lecture: Wednesday, February 3rd from 3 – 4 pm, CBS Auditorium
A reception will be held immediately following the lecture.
University of the Arts
Sculpture Gallery / Hamilton Hall Lower Level
320 S Broad Street, Philadelphia, PA, 19102

Stages of the Denizen and Exhibition by Anja Marais

Up flight of the Wingless Bird, 2015, 85″ x 79″, Photomontage, ink on recycled fabric

By |2017-07-11T00:08:17-04:00January 31st, 2016|

The Berth (Ballast Nº 2) – Solo Exhibition

Solo Exhibition by Anja Marais in Colorado
The Berth (Ballast Nº2), Solo Exhibition by Anja Marais
30th September – 20th November
Artist’s reception: Wednesday, September 30 from 4 – 6 pm
Guggenheim Hall / Mariani Gallery
1819 8th ave, Greeley, Colorado

The Mariani Gallery is proud to present the solo exhibition of multidisciplinary contemporary South African artist Anja Marais entitled “The Berth (Ballast Nº2 )” at the School of Art and Design, University of Northern Colorado, Greeley, Colorado.

Anja Marais will take over the Mariani Gallery with her installation “The Berth (Ballast Nº2)” The installation will create an environment that questions the experience of change, stagnation, and our ability to embrace surrender. Anja’s work builds an intricate visual poem into the space that brings forth a feeling of contemplation and longing.

The elements of this installation can be broken down into moving images, sculpture work, and photographic mixed media. The moving image work is a sepia stop animation created and filmed in St. Petersburg Russia and follows a female that through acceptance of her burden, surrenders herself over to nature.

Through the sheer projection of the stop animation you will be aware of a sculpture in the space, a women that is caught mid state between flight and stagnation, her head a ship ready to sail but her body anchored by rocks.

On the walls of the gallery we have photographic mixed media that is transformed still images of the stop animation work. We are given an intimate look at our female that moves through states of fluidity (water) and stagnation (stone). Among these wall works is an installation of found antique oval frames encasing broken down fragments of the texture of water.

Water as subject has been a frequently recurring theme in Anja Marais’ work, functioning as an object of philosophical inquiry, a proxy towards reflection.

Considering herself a storyteller, Anja Marais’ work goes beyond the linear prediction of events by delving into her own consciousness to bring about a new perspective on subjectivity and our relationship to how the rest of the world experience itself. As the viewer moves through the installation, the boundaries of the dream world and reality dissolves with the interplay of moving image, painted surfaces, and sculptural object.

The imagery of stone and water in “The Berth (Ballast Nº2)”, creates a dense web of visual, literary and philosophical relationships which investigate issues of change, surrender and acceptance through the space of multidisciplinary installation. The exhibition will close on November 20th.

Anja Marais’ work is included in the permanent collections of the Miami Museum of Contemporary Art, The Washi Museum in Japan, the Kronstadt History museum of St Petersburg Russia among others. She currently works from her studio in Miami, Florida.

By |2017-07-11T00:08:17-04:00September 25th, 2015|

Solo exhibition in accordance with Prospect 3 + BR Biennial.

 

As part of Prospect 3 + BR, the Arts Council’s Firehouse Gallery has invited Miami-based South African artist Anja Marais to Baton Rouge.  Join us for the opening reception of her exhibition, The Ballast, on Friday 17 October from 5:30pm

The Arts Council of Greater Baton Rouge will present The Ballast, a solo exhibition of mixed media installation and video works by South African artist Anja Marais. The exhibition will be on view at the Firehouse Gallery, 427 Laurel Street, from 17 October to 12 December, and is part of P3+BR, Baton Rouge’s regional partnership with the Prospect 3 New Orleans Anja Marais is a Miami-based contemporary artist, will take over the Firehouse Gallery with a hand-made environment of video, sculpture, and installation works that continue her explorations of water, earth, and human interactions. The Ballast, assembled especially for the Baton Rouge community and P3+BR, focuses on how we experience change, stagnation, and natural forces. From one work to another, Marais’s art builds an intricate, many-layered visual poem — haunting and ethereal and rich in supernatural metaphor. Her installation at the Arts Council’s Firehouse Gallery continues this and instills a feeling of contemplation and longing in the viewer — with a strong sense of the supernatural.

The Ballast: a solo exhibition by Anja Marais
17 October to 12 December
Firehouse Gallery, Arts Council of Greater Baton Rouge
Opening Reception on Friday 17 October from 5:30pm to 8pm
Presented by the Arts Council as part of Prospect 3+BR

The works in The Ballast include moving images, sculpture, works on paper and mixed media oil paintings on panel. The artist’s video narratives are centered around a sepia stop-motion animation, created and filmed in St. Petersburg Russia. They follow a mysterious female figure that recurs in much of Marais’s imagery, and stand for the often metaphysical relationship we have with the environment and a desire to become one with the natural non-human world.

Mixed media paintings and photography, including transformed still images of stop animation work, complete the exhibition. Featured on one gallery wall is an installation of found antique oval frames, encasing broken down fragments of textured water. This centerpiece evokes our own community’s familiar vistas and complex relationship with the Mississippi River.

“Water is a powerful subject and a pervasive theme in Anja’s work,” says Arts Council president, Eric Holowacz. “There is mystery in it, and life. There are hints of hidden human forms, and amysticla relationship to the earth that Anja turns into a visual language. The water is like a metaphysical chant that reflects and connects everything.”Considering herself a storyteller, Anja Marais also wants to reveal the magic in our midst. As the viewer moves through the installation at the Firehouse Gallery, the boundaries of the dream world and reality try to dissolve. With the interplay of moving image, painted surfaces, and sculptural object, The Ballast will cast us as beings in her own supernatural, metaphysical place.

The public is invited to the opening reception for The Ballast at the Arts Council’s Firehouse Gallery, and an opportunity to meet the artist, on Friday 17 October from 5:30pm to 8pm. The exhibition will remain on view through 12 December as part of the Baton Rouge programming and partnership with Prospect 3 New Orleans

By |2017-07-11T00:08:17-04:00October 17th, 2014|
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