Exhibit combines unique disciplines through art by NANCY MOYER Marais’ bold images reflect the inner psyche bleeding through external reality. She describes her work as a chronicle of the undertaken journey to wander between the two worlds while being a mirror to both. Her surfaces resemble roughly weathered posters, survivors of life’s events, yet still alive and vital. Believing that all life is a story, “I cut out bits and fragments of this epic tale,” Marais declared in her statement, “and piece them back together searching for coherence and sense; this mutilation creates a new world.” The powerful work, “Up Flight of the Wingless Bird,” predicts the ultimate transformation. The feminine image, slightly larger than life, rises up above a panel suggesting a nervous system, bone structure, or maybe brambles, into a figurative form. Continuing this path, a light from above changes the physical features [...]
Memorial Landscapes between transformation and disintegration: Photography as a Textural Approach by Anja Marais Elle Schorr's Art Salon - South Florida has become a vibrant center for art and artists, and ART SALONS at the ARMORY ART CENTER in West Palm Beach are a gathering place for artists from throughout in the region. Each month from October to May, Art Salons offer presentations by influential professional artists whose artwork is being shown in museums and galleries in South Florida. Presenters show their work, talk about their influences, and explore the work of artists showing in museums and galleries, followed by stimulating discussions between all who attend. Our discussions cover the gamut of contemporary art themes, including conceptual, cultural, socio/political, environmental, race and gender-focused and aesthetic practices, the materials and techniques used to convey these ideas, and where we fit into the world of contemporary conceptual art. Art Salons [...]
FOLD is an exhibition of contemporary works by thirteen female artists who explore the concept of the fold in terms of form and conceptual metaphor in both stationary and time-based art media. The fold is simple and complex at the same time – it is a physical act, a state of material, and a way to explain things that happen in other realms. The fold challenges space and even time, and as a symbolic paradigm, it offers an ever-expanding impulse for creativity. The exhibition will be held in conjunction with the annual FESTIBA event, which will focus on the theme of borders in a way that offers opportunities to compare theoretical constructs with concrete realities. Along with the exhibition, seven scholars from different disciplines; Philosophy, Psychology, Social History, the History of Art and Literature, and Women’s Studies will explore the concept of FOLD in their respective areas. The exhibition, with its speakers and the panel discussions, provides [...]
ELEVEN VOICES was a group exhibition of South African and African Diaspora Artists presented by the Deering Estate in Miami curated by Kim Yantis of the Deering Estate and Rosie Gordon-Wallace of the Diaspora Vibe Cultural Arts Incubator. Artists include: Nicholas Hlobo Anton Kannemeyer Anja Marais Judith Mason Claudette Schreuders Rowan Smith etc. The full catalog of the exhibition is available now online.: VIEW CATALOG From the Catalog: A LONG, THIN STRAND OF THE ANCESTRAL by Anja Marais In 1994 as an art student, I stood in front of a painting and it left a crack in my young mind where the light started to seep in. The Pretoria Museum of Art was particularly quiet that day and I found myself alone in a room with a work by Judith Mason. A quiet escape from external harshness. It was a lush painting. Each brush stroke spread [...]
WHITEHOT MAGAZINE: Re-Mixing History: African Women Artists at Art Basel Miami Beach 2017 ARCADE PROJECT ZINE: The Moment We’re In: Art Basel Miami 2017 Begins "Far downtown in a former post office, visual artist Anja Marais’s installation Out of Sight; Out of Mind taps into the zeitgeist with large paste-up portraits of immigrants that play with dual perspectives, twisting sight to examine peripheral views of human history. Her images are pasted into corners and archways in the gutted downtown building, creating warped faces that recall distorted views of immigration and its role in history. Marais photographed Miami Haitians who are the children of immigrants. They sat for her portraits and posed as their immigrant ancestors, each holding a tool of their trade."